Sunday, 30 August 2015

Other works….

T Laurin, Target Huntcamp, Phtototype with chine colle, 2014
This is created from two different slides that I drew (by removing the emulsion) in altering layers.


T Laurin, Target Rowers, Phototype with chine colle, 2014

Saturday, 15 August 2015

T Laurin, Split/Double, phototyp with intaglio and dry media, 2014

This work was created with two slide images, torn and reassembled to produce the photographic element and then I decided to further separate the new image by cutting and intersecting with another printed chine colle.

Wednesday, 12 August 2015

Double images

T Laurin, Giant, phtototype with hand colouring on chine colle, 2014


After drawing lines into the slide's emulsion, I scanned the winter shoreline and copied/reversed the image resulting in this composition.

Saturday, 1 August 2015

Back to representation


T Laurin, One Eyed Fisherman, prototype with hand colouring on chine colle, 2014
T Laurin, Bow, Phototype with hand colouring and pre-printed chine colle, 2014

After returning to representation within the photographic image, I felt it necessary to interrupt the visual planes with a different filmic presence. The addition of the drip-lines of ink represent both time and the non-linear representation of memory.

Friday, 31 July 2015

Moving Beyond the Bursary Work

T Laurin, Unkown Fisherman, Photo transfer with intaglio, 2015
This initial body of work, created out of the King Family Bursary, has further motivated me to  investigate the role of photography, memory and place within my work.  I am constantly drawn to historic images that both represent an iconic condition as well as offer the foundation for aesthetic exploration.















T Laurin, Fishing Boy, laser cut wood relief, 2015
T Laurin, Sailor Newton, Photo transfer with intaglio, 2015